Patrick Carter is a Noongar man and interdisciplinary artist who combines performance, movement, video, sound and painting to create his stories and songs. Family is a driving theme, and his work features many motifs drawn from his Noongar culture. As a First Nations person with disability, Carter has faced many challenges to access his culture and learning. He has spent significant periods in institutional care and has experienced the systemic barriers to cultural practice that are shared by First Nations people across Australia.

Riana Head-Toussaint is an interdisciplinary crip/disabled artist, DJ, and curator of Afro-Caribbean heritage. Her work lies at the intersection of creative expression, activism, cultural exchange and disability justice.

Her practice spans choreography, video/film, sound design, writing, and installation, challenging entrenched structures and advocating for social change. Riana’s work has appeared in carparks, post-industrial ruins, galleries, theatres and online, supported by institutions including Human Rights Watch, AGNSW, Opera House, Buxton Contemporary, Carriageworks and the British Council. She is the founder of CRIP RAVE THEORY, a club night outside the club drawing on intersectional disabled knowledge to create more accessible rave/party spaces.